30/08/2020

The Screaming Skull

Death by lily pond, a cranium in the geraniums, and soggy footsteps in the night... Someone’s getting Gaslighted (or are they?!) in the 1958 spook-fest, THE SCREAMING SKULL! 

A colonial-style mansion with tall columns stands against a dark sky

A missing link between the Rebecca-style melodramas of the 1940s and the post-Psycho mind-warpers of the early 60s, this quirky quickie actually beat the similar (but more famous) output of director William Castle to the screen. Within its first few minutes, we’ve been assured our funeral costs will be covered by the film’s producers should we die of fright, heard an ominous extract from Berlioz’s Symphonie Fantastique decades before it was used in The Shining, and seen an actual screaming skull doing its thing. And, if that doesn’t impress you, well... the good news is there’s only sixty minutes remaining, so you might as well put the kettle on and make yourself a cup of cocoa. It’ll probably still be warm by the time this thing’s over. 

“It hardly seems fair using the living to bring back the dead, does it?” asks Mrs Snow, the reverend’s wife - not a leftover character from Clue, but the slightly nosy neighbour of newlyweds Eric and Jenni Whitlock. Eric is (still) mourning the death of his first wife, it transpires, and may have rushed into remarriage, while Jenni is fresh out of the sanatorium after witnessing the drowning of both parents in a boating accident. Jeez, let’s hope they’ve both finally managed to put the past behind them, find love and settle down for a quiet life in the country. 

NOPE, SORRY! Not today, true happiness. You see, this is the house where the first Mrs Whitlock met her slapstick demise, by slipping on a garden path, smacking her head on a wall, and falling face-first into a nearby pond - where it seems her (screaming) supernatural skull still resides, bobbing to the surface every once in a while for jump scares and vengeance. 

Jenni’s already slightly scanty sanity is soon put to the test as she finds herself beset by further horrible happenings at the old estate, not to mention reminders of dead wife #1 everywhere she turns, from a creepy painting to a monolithic gravestone that stands tastefully in the grounds. Even worse, long-serving gardener Micky is constantly prowling around the place in sinister fashion... and that treacherous pond-side path isn’t looking any drier. 


While it’s unlikely anyone will ever die of Screaming Skull-induced shock, the fact that the film does work is undeniable. Unlike the rest of its drive-in ilk, which were busy cashing in on dwindling crazes or resurrecting faded stars, this one seems to have its finger on the pulse of something. Appearing right at the top of the trend for gimmicky psycho-thrillers, it feels breezy and modern. Just a tad more style or thematic complexity might have nudged it into the realm of classics like 1962’s Carnival of Souls or even Night of the Living Dead. That said, I actually prefer it to Francis Ford Coppola’s Dementia 13. It may lack that film’s moodiness and gore but it’s certainly more entertaining. There are frights among the fripperies, too: in a borderline brilliant moment, the camera assumes the viewpoint of the skull itself, tossed out onto the lawn to look crookedly back at the house... only for this supposedly inanimate POV shot to right itself and crawl eerily back towards the front door. 

At the heart of the film is actress Peggy Webber, pregnant during production and paid just $1000 for bringing the terrified bride to life. In a slightly underwritten role she’s nevertheless genuinely likeable, which is one of the main reasons the whole thing is so watchable. When things really kick off in the final act, her response to a key revelation (a simple but confused “I... don’t... know!”) is really heartrending. If some of the horrors around her have grown goofy with age, they can’t detract from her performance. 

In the hands of William Castle, then, this probably would have become better remembered - but we would have lost something too: a slightly subtler shade of psychodrama with a hint of emotion and a truly giddy sense of the grotesque.

RATING: ๐Ÿ•ธ๐Ÿ•ธ๐Ÿ•ธ

19/08/2020

Books, Plays and Silents: The Development of the Old Dark House Genre


We can trace the Old Dark House genre back at least as far as 1764 and the publication of the first Gothic novel, Horace Walpole's The Castle of Otranto, with its cursed family line, mysterious deaths and secret passages. The Mysteries of Udolpho (1794) by Ann Radcliffe brought a credible female protagonist to the fore, while another influential classic of the genre was J. Sheridan Le Fanu's The Wyvern Mystery (1869). But the movies we love find their closest ancestor in The Circular Staircase, a 1908 novel that crystallized almost everything that would characterize the genre over the next half-century... 

1908

Mary Roberts Rinehart's The Circular Staircase is published (following its magazine serialization), kicking off a trend for modern mystery stories set around old and creepy houses. The opening line of the novel is: "This is the story of how a middle-aged spinster lost her mind, deserted her domestic gods in the city, took a furnished house for the summer out of town, and found herself involved in one of those mysterious crimes that keep our newspapers and detective agencies happy and prosperous..."

1913

Paul Dickey and Charles W. Goddard's 1909 play The Ghost Breaker runs for 72 performances between March and May at New York's Lyceum Theatre. The story, about a woman who inherits a supposedly haunted Spanish castle, goes on to be filmed in 1914 by Cecil B. DeMille (now lost), 1922 (again, lost), 1940 (as The Ghost Breakers plural!) and 1953 (as Scared Stiff). 

The book Seven Keys to Baldpate by Earl Derr Biggers is published, swiftly followed by a Broadway stage adaptation by George M. Cohan, which runs for 320 performances from 22 September at the Astor Theatre. Film versions follow in 1916, 1917, 1925, 1929, 1935, 1946, 1947 and 1983 (as The House of the Long Shadows). All share the same plot, in which a novelist bets he can write a book in 24 hours while holed up at a deserted resort, only to be drawn into mystery by a succession of visitors.

1914

The first Old Dark House film - Cecil B. DeMille's The Ghost Breakerbased on Paul Dickey and Charles W. Goddard's play - is released (but sadly it's now lost). The story is filmed again in 1922, 1940 and, as Scared Stiff, in 1953. 

1915

A film adaptation of The Circular Staircase, directed by Edward LeSaint and starring Guy Oliver, Eugenie Besserer and Stella Razeto, is released. (Now considered lost.)

1916

Australian film adaptation of Seven Keys to Baldpate released, directed by Monte Luke. (Now lost.)  

1917

Director Hugh Ford's film adaptation of Seven Keys to Baldpate is released, starring the playwright himself, George M. Cohan, in the lead role.

A print ad for Seven Keys to Baldpate's 1917 film adaptation shows actor George Cohan looking puzzled and a large key in the foreground

1920

The classic German Expressionist film The Cabinet of Dr. Caligari is released on 26 February. Although not an Old Dark House movie itself, its style and structure will have a profound influence on many horror films made over the following years, including those of Universal Pictures such as The Cat and the Canary (1927) and The Old Dark House (1932).    

Mary Roberts Rinehart and Avery Hopwood's The Bat opens at the Morosco Theatre on 23 August. A smash hit (based partly on Rinehart's own The Circular Staircase) it becomes, at the time, the second-longest running play on Broadway, running for 867 performances and spawning local spin-off productions and many imitators. Film adaptations follow in 1926, 1930 (as The Bat Whispers) and 1959.

1922

An original Old Dark House stage play starts a highly successful run: John Willard's The Cat and the Canary tells the story of a group of heirs coming together for the reading of a will in a spooky old mansion. The production opens at New York's National Theatre on 7 February, clocking up 349 performances, plus 40 more the year after. Official film adaptations are produced in 1927, 1930 (The Cat Creeps), 1939 and 1979.  

On 9 August, Crane Wilbur's play The Monster opens at the 39th Street Theatre, New York, and runs until November. The story may be the first to introduce a 'mad scientist' character to the formula. One print ad reads: "Two travelers - a man and his girl bride - have a tire puncture near a big country mansion, on a dark, dreary night. They seek shelter in the nearby mansion - a weird abode. There they meet 'THE MONSTER' and have a series of hair-raising adventures." A film adaptation follows in 1925, while Wilbur himself would go on to direct the 1959 film of The Bat.

10 September sees the cinema release of a new version of The Ghost Breaker (previously filmed in 1914), this time as a vehicle for popular star Wallace Reid. The film is now considered lost.

Inspired by the The Bat and The Cat and the Canary, filmmaker D.W. Griffith creates the silent film One Exciting Night, exploring similar themes and borrowing one of the latter play's stars, Henry Hull. The film premieres on 2 October. 


The Last Warning
by Thomas F. Fallon (based on the book The House of Fear by Wadsworth Camp) runs at Broadway's Klaw Theatre from 24 October 1922 to May 1923, achieving 238 performances. In this Old Dark House story, the 'house' is a theatre house, with the cast of a play reunited inside five years after an unsolved murder that took place onstage. 

1925

Roland West's film adaptation of the 1922 play The Monster is released on 16 March, starring Lon Chaney. (West later directs The Bat in 1926 and The Bat Whispers in 1930.)

The first genre spoof opens at Broadway's Selwyn Theatre on 28 April. The Gorilla: A Mystery Comedy, by Ralph Spence, achieves 257 performances and inspires a successful production in London's West End the same year. The poster promises it "outbats The Bat, outcats The Cat and Canary [and] outwarns The Last Warning".

A now-lost film adaptation of Seven Keys to Baldpate (directed by Fred C. Newmeyer) is released on 19 October. 

1926

Famous British mystery author Edgar Wallace publishes The Black Abbot, about sinister happenings and lost treasure at an old abbey, which he turns into the play The Terror the following year. 

A novelization of The Bat also appears, under the names of Mary Roberts Rinehart and Avery Hopwood. (The actual ghostwriter was Pulitzer Prize-winning poet Stephen Vincent Benรฉt.)  

A book cover of The Bat shows a gathering of well-dressed people looking in fear at a bat flying above them

1927

Edgar Wallace's aforementioned play The Terror, an Old Dark House production of British origin, opens at New Brighton's Winter Gardens on 21 February, before transferring to the West End for a run of 246 performances at the Lyceum Theatre. It's also filmed the following year.

The first film adaptation of The Cat and the Canary is released on 9 September. Director Paul Leni was one of the top German Expressionist filmmakers, making his Hollywood debut.  

J.B. Priestley's novel Benighted, the basis for the 1932 film The Old Dark House, is published in October.

13 November sees the release of a film adaptation of The Gorilla: A Mystery Comedy (with the title shortened to The Gorilla) directed by Alfred Santell. Walter Pidgeon, in one of his early roles, plays 'Stevens'. 

1928

Sh, the Octopus, written by Ralph Murphy and Donald Gallaher, runs for 47 performances at the Royale Theatre, Broadway, from 21 February. Little seems to have been written about its plot (at least online) but Bruce G. Hallenbeck's book Comedy-Horror Films: A Chronological History, 1914-2008 quotes a few theatre reviews that suggest it was set in a lighthouse and mixed elements of humour and horror. The 1937 film Sh! The Octopus uses the lighthouse setting but its story draws more on The Gorilla

On 6 September, the first Old Dark House movie with a soundtrack is released: Edgar Wallace's The Terror (about a killer who infiltrates a manor called Monkhall) is now lost but its accompanying Vitaphone record survives, and is described at Vitaphone Varieties

1929

Another Old Dark House movie with a soundtrack is released on 18 April: Benjamin Christensen's The House of Horror comes with a Vitaphone record featuring voices, sounds and music. Unfortunately, the film and its soundtrack are now lost. Read more about the plot, in which a brother and sister investigate a creepy mansion full of antiques, at Vitaphone Varieties

Armitage Trail (author of Scarface) publishes the novel The Thirteenth Guest, about the reading of a will in which the family fortune is left to a mysterious guest who never arrives. The book is filmed with Ginger Rogers in 1932, and again in 1943 as The Mystery of the 13th Guest

Another film adaptation of Seven Keys to Baldpate - the first fully 'talking' Old Dark House picture, in fact - is released on Christmas Day. Richard Dix takes the lead role, with Reginald Barker directing. 


Sources: Information for this list was gathered from Wikipedia and the Internet Broadway Database. Images are from Wikimedia Commons, except for the book cover of The Bat, which is from Amazon.

18/08/2020

Reviews A-Z


Bulldog Drummond's Secret Police (1939) ๐Ÿ•ธ๐Ÿ•ธ

Cat and the Canary, The (1939) ๐Ÿ•ธ๐Ÿ•ธ๐Ÿ•ธ๐Ÿ•ธ๐Ÿ•ธ

Gorilla, The (1939) ๐Ÿ•ธ๐Ÿ•ธ๐Ÿ•ธ

House of Secrets, The (1936) ๐Ÿ•ธ๐Ÿ•ธ

Living Ghost, The (1942) ๐Ÿ•ธ๐Ÿ•ธ

Monster Walks, The (1932) ๐Ÿ•ธ๐Ÿ•ธ๐Ÿ•ธ
Murder by Invitation (1941) 
๐Ÿ•ธ

Rogues Tavern, The (1936) ๐Ÿ•ธ๐Ÿ•ธ๐Ÿ•ธ

Screaming Skull, The (1958) ๐Ÿ•ธ๐Ÿ•ธ๐Ÿ•ธ
Shadows on the Stairs (1941) ๐Ÿ•ธ 
Son of Ingagi (1940) ๐Ÿ•ธ๐Ÿ•ธ๐Ÿ•ธ

Thirteenth Guest, The (1932) ๐Ÿ•ธ๐Ÿ•ธ๐Ÿ•ธ
Three Weird Sisters, The (1948) ๐Ÿ•ธ๐Ÿ•ธ๐Ÿ•ธ
Topper Returns (1941) 
๐Ÿ•ธ๐Ÿ•ธ๐Ÿ•ธ๐Ÿ•ธ

17/08/2020

Chronology of Old Dark House Movies


Stage Frights: Pre-1930
Most of the earliest Old Dark House movies were silent adaptations of popular Broadway comedy-thriller plays like Seven Keys to Baldpate, The Bat and The Cat and the Canary. (You can read more about these plays in Books, Plays and Silents: The Development of the Old Dark House Genre.) 

Ghost Breaker, The (1914, lost film)
Circular Staircase, The (1915, lost film)
Seven Keys to Baldpate, The (1916, lost film)
Seven Keys to Baldpate, The (1917)
Ghost Breaker, The (1922, lost film)
One Exciting Night (1922)
Monster, The (1925)
Bat, The (1926) 
Midnight Faces (1926)
Cat and the Canary, The (1927) 
London After Midnight (1927, lost film)
Terror, The (1928, lost film)
House of Horror, The (1929, lost film)
Last Warning, The (1929)
Seven Keys to Baldpate (1929)

Chuckles and Chills: 1930-1938
As the ‘talkies’ took off, Old Dark House movies grew in complexity and wit, producing shrewd and spooky spoofs, as opposed to the more serious horror popularised by 1931’s Dracula (itself a stage adaptation). But, by the time James Whale’s unusually sophisticated The Old Dark House was released in 1932, it was hard to tell where the fear ended and the fun began, and the genre’s unique blend of humour, mystery and atmosphere flourished. 

Bat Whispers, The (1930)
Cat Creeps, The (1930, lost film)
Gorilla, The (1930, lost film)
Laurel-Hardy Murder Case, The (1930)
La Voluntad del Muerto (1930, lost film)

Murder by the Clock (1931)
Phantom, The (1931)

Castle Sinister (1932, lost film)
Crooked Circle, The (1932)
Haunted Gold (1932)
Monster Walks, The (1932)
Old Dark House, The (1932)
Phantom of Crestwood, The (1932)
Tangled Destinies (1932)
Thirteenth Guest, The (1932)
 
Ghoul, The (1933)
Night of Terror (1933) 
Secret of the Blue Room, The (1933) 
Shriek in the Night, A (1933) 
Terror Aboard (1933)
Tomorrow at Seven (1933)
 
Black Cat, The (1934)
Double Door (1934)
Ghost Walks, The (1934)
Green Eyes (1934)
House of Mystery (1934)
Moonstone, The (1934)
Ninth Guest, The (1934)

Mark of the Vampire (1935) 
One Frightened Night (1935)
Raven, The (1935)
Seven Keys to Baldpate (1935)
While the Patient Slept (1935)
White Cockatoo, The (1935)

Charlie Chan’s Secret (1936)
House of Secrets, The (1936) 
Phantom of the Range, The (1936) 
Rogues Tavern, The (1936)
Someone at the Door (1936)

Sh! The Octopus (1937)

Mystery House (1938)
Terror, The (1938)

A New (Bob) Hope: 1939-1944
The genre was starting to burn out by the end of the decade, but a lavish 1939 remake of The Cat and the Canary, featuring a talented cast and fine production, ushered in a second golden age, which saw it reach new heights of popularity and style. 
Cat and the Canary, The (1939)
Gorilla, The (1939)
Man They Could Not Hang, The (1939) 

Door with Seven Locks, The (1940)
Ghost Breakers, The (1940)
Ghost Train, The (1940)
Rebecca (1940)
You’ll Find Out (1940)

Black Cat, The (1941)
Hold That Ghost (1941)
Horror Island (1941)
Invisible Ghost, The (1941)
Iron Claw, The (1941)
King of the Zombies (1941)
Murder by Invitation (1941)
Shadows on the Stairs (1941)
Smiling Ghost, The (1941)
Spooks Run Wild (1941)
Topper Returns (1941)
Whistling in the Dark (1941)
 
Boogie Man Will Get You, The (1942)
Corpse Vanishes, The (1942)
Hidden Hand, The (1942)
Living Ghost, The (1942)
Night Has Eyes, The (1942) 
Night Monster (1942)
Whispering Ghosts (1942)
Undying Monster, The (1942)
 
Black Raven, The (1943)
Ghost and the Guest, The (1943)
Ghosts on the Loose (1943)
Mystery of the 13th Guest, The (1943)
Revenge of the Zombies (1943)
Sherlock Holmes Faces Death (1943)

Black Magic (1944)
Charlie Chan and the Secret Service (1944) 
Girl Who Dared, The (1944)
One Body Too Many (1944)

Darker Houses: 1945-1960
Following WWII and the rise of film noir, thriller films began to deal more deeply in serious subjects like espionage, relationships and psychology. The Old Dark House genre morphed into a gothic exploration of the latter, before gradually giving way to experimentation and cartoonish parodies. The release of Hitchcock’s game-changing Psycho in 1960 effectively brought the cycle to an end, and horror cinema itself to a new level of maturity and explicitness. 

And Then There Were None (1945)
Fog Island (1945)
Frozen Ghost, The (1945)
House of Fear, The (1945)
If a Body Meets a Body (1945, short)
Jade Mask, The (1945)
Pillow of Death (1945)

Cat Creeps, The (1946)
Dangerous Millions (1946)
Spiral Staircase, The (1946)

Cry Wolf (1947)
Dragonwyck (1947)
Moss Rose (1947)
Scared to Death (1947)
Seven Keys to Baldpate (1947)
Strangler of the Swamp (1947)

Castle Sinister (1948)
Creeper, The (1948)
Three Weird Sisters, The (1948) 
Who Killed Doc Robbin? (1948)

Abbott and Costello Meet the Killer, Boris Karloff (1949) 
Who Done It? (1949, short)

Ghost Chasers (1951) 
Mystery Junction (1951)
Third Visitor, The (1951)

Crow Hollow (1952) 

Maze, The (1953)
Scared Stiff (1953)

It! The Terror from Beyond Space (1958)
Screaming Skull, The (1958)
Terror in the Haunted House (1958)

Bat, The (1959)
Headless Ghost, The (1959)
House on Haunted Hill (1959) 

Black Sunday (1960)
City of the Dead, The (1960)
Fall of the House of Usher, The (1960)
Psycho (1960)